Jonathan with Tomas Haake from Meshuggah
In 2007, I published one of the first scholarly articles to address rhythm and meter in music of the Swedish "progressive" or "experimental" metal band, Meshuggah. When Meshuggah's sixth album, Obzen, was released in 2008, Nuclear Blast Records mentioned the article in the press packet, and since then the article has become fairly well-known among fans, musicians, and metal authors as a reference source for the rhythmic and metric techniques that distinguish their music.
Here is a link to the article. Please keep in mind that it is written for an academic audience so I'd be happy to break things down in a bit more of layman's terms if the writing and explanation is too scholarly--just send me an email.
Music Theory Spectrum 29/2 (2007): 219-45
Academic Researcher and Composer